2000s
Criterion has prepared a Blu-Ray edition of Sean Baker‘s Prince of Broadway for release, marking the first…
Ape-ril is a state of mind, a commitment to the absurd, the goofy, the simian, and I’d honestly recommend you try it out.
Viva is told by an indie woman director whose mise-en-scene and script pay tribute to classic musicals.
Revisiting July Rhapsody is a reminder that Ann Hui is one of the most empathetic and important filmmakers of the Hong Kong New Wave.
Finally getting to witness Spider-Man 2 gives me a newfound appreciation for my peers and this communal experience.
While Gothika may not have stood the test of time, or have the most plausible horror narrative, it delivers an eerie watch.
Horror films have trained us to expect the final girl, but Funny Games does not acknowledge this hope and desire for survival.
Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.
Bridget Jones’s Diary is a classic, yet refreshing, take on the rom-com, showing the imperfectly wonderful side of romance in your thirties.
Welcome back to the scariest, and at times goriest, column here at Film Inquiry: Horrific Inquiry.…
In the end, Firefly is full of not only wit, style and imagination, but a burning compassion for its characters, along with their individual differences.
Believer wields the Exorcist saga poorly by vomiting so much at the screen and leaving little more than a mess of themes and characters.
From filming style to a twisty narrative structure, “Saw” is a film that not only bore a franchise but has retained itself as a true horror classic.
While nowhere near as successful as the Conjuring franchise in popularity or quality, The Haunting in Connecticut proves itself entertaining.
The Descent: Part 2 falls within the overflowing pot of sequels made for the sake of making a sequel.