2010s
Random Acts of Violence forces the audience to confront their own enjoyment at watching others’ pain
Overall, Downton Abbey’s worth as a film depends on your feelings towards the original show.
Ága shows how native practices of conservation, sustainable living, and a deep and respectful connection to the land is all but withering away in the face of our technological acceleration.
Groupers isn’t perfect, and it certainly isn’t a mainstream product for the masses, but it has its merits.
The Last Tree isn’t perfect, but it’s an honest and insightful coming of age story that deserves to find an audience.
Potrait of a Lady on Fire builds to an awe-inspiring, pulsating crescendo that leaves the audience’s collective heart thudding.
A conspicuously suspense-free story, Haunt feels like a missed opportunity by refusing to take its own ideas to the extreme.
In a lover letter to the horror genre, AHS 1984 packed a nostalgic punch – leaving the door wide open for more homage to come.
Eddie Murphy is at his absolute best in Dolemite Is My Name. The humor and chops for drama that he brings to the role are a perfect c*cktail that you just can’t help but drink up.
What did people think he was doing? What did the legends say? Wrinkles the Clown is both a hilarious and terrifying documentary that tries to answer these questions.
A beautifully orchestrated collaboration of horror films, AHS 1984 is gruesome, graphic and for those who love gore, oh so satisfying.
3 Days With Dad does not deliver to the audience what it promises, presenting an exercise in patience that goes one day to long.
A Shaun the Sheep Movie: Farmageddon feels messily reverse engineered, a lazy Spielberg riff forcibly created just to fit the punning title.
Sounds and vibrations undoubtedly shape the world as we know it, in turn capable of…
Sometimes, a movie is so bad it’s just bad, such is the case with 2011’s The Love Patient, a movie so offensively, irredeemably bad it’s hard to sit through.