2010s
From the first frame to the last, Firecrackers is clearly a story by women, about women, stubbornly through their gaze without regrets.
While some viewers could argue this Point Blank remake as passable entertainment, even at 80 minutes, your time is best spent elsewhere.
Stuber isn’t a life changing film, but it’s a worthy addition to the buddy-cop comedy pantheon.
Euphoria has something important to say and has good ideas in its grasp but can never look them in the eye.
Varda by Agnes is a disappointing finale to a remarkable career, a feature length beginner’s guide to her back catalogue for new fans only.
Lacking of personality and originality, Robert the Bruce is an unwatchable kitchen-sink clutter of fantasy, reality and propaganda.
Without the love and affection of its predecessor, nor does it have a sense of discipline or focus, Iron Sky: The Coming Race falls flat.
Single Ladies never escapes its fleeting feeling, but is admirable for condensing an entire season of TV into the length of your average episode.
With an uninspired script and meaningless dialogue to fill space, Cold Blood is lifeless from the opening moments, failing to live up an action movie or thriller.
Despite Our Time’s 3-hour runtime, there isn’t a sequence that doesn’t contribute to a larger understanding of why time is of such essence to each of us.
Days of the Whale is a wonderfully engaging and weighted debut by Catalina Arroyave, showing she’s a filmmaker to watch out for.
The only thing more surreal than the experience of going to see Bi Gan’s Long Day’s Journey Into Night is perhaps the movie itself.
Darlin’ is both a heartfelt story of growing up and making friends and a gory depiction of the dangers connected to men believing they are above the law and God.
While Yesterday isn’t perfect, it’s the lighthearted, fun, summer movie that we need right now.
Told from a female perspective, and benefitting from a seminal performance by Daisy Ridley, Ophelia rewrites history in a more favorable light.