2010s
Watson is a vital showcase of the power a person can have to affect change and how far reaching that change can be to others.
The story of the underdog will always be a crowd-pleaser. An unknown phoenix yearning to…
While it feels a bit unfinished and undercooked, If The Dancer Dances is a great start in unpacking everything that Merce Cunningham represented.
Although it’s not exactly faultless, Someone Great adequately captures themes of lost love and the power of friendship.
With horror movie clichés lurking around every corner and a script that’s difficult to digest, The Curse of La Llorona will likely meet the void where bad horror flicks go to be forgotten.
Despite its many flaws and shortcomings, The Body At Brighton Rock is enjoyable when taken as a cheap comedy with some high tension moments.
Family doesn’t break new ground in the oddball, unexpected bonding comedy space, but it masters the art with a precise wit and efficiency that keeps it feeling fresh.
Our Planet showcases the natural beauty of our planet while offering a harsh reminder of the reality of declining habitats and wildlife populations.
Despite its Green Book-esque premise, Native Son creates a Chicago that draws the audience in with its effortlessly alternative pizzazz.
Donbass is the darkest of comedies, showing how wartime mania can fundamentally transform a nation overnight.
In a world where penguin movies are multiplying, it’s nice to see a penguin march to the beat of his own drum in Penguins.
Australian soccer comedy Back of the Net recalls other underdog sports films of the past, but without an ounce of creative inflection.
Dan Curtis was a fascinating and talented filmmaker, and Master of Dark Shadows helps fill an information void where he’s concerned.
The Silence is worth a watch because of Stanley Tucci alone, but if you crave a good film, just pick up a copy of A Quiet Place instead.
We are officially two episodes into the final season of Game of Thrones, with only four…