2020
The Tell Tale Heart is a punky, blood-spattered thrill ride from McClain Lindquist, whose debut short film brings something quite new to Poe’s story.
A stellar debut packed with poignant performances, the beautiful Babyteeth announces Shannon Murphy as a director who deserves our full attention.
Hillary Shakespeare’s Soundtrack to Sixteen is a concise and delightful examination of teenage insecurities with great performances and strong writing.
At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.
Carmentis never runs out of ways to use the subversive potential of the sci-fi genre to articulate the loneliness and disorientation that haunt the film’s main character.
The State of Texas vs. Melissa unfolds slowly, meticulously and with intent as you witness a cinematic investigation unfold.
Malik Vitthal’s Body Cam is a forbidding tale of revenge that comes at you with speciously righteous fury, and that fury lingers.
Through The Night is not just about a daycare, but about a broken system that forces parents to choose between their children and their livelihood.
Marcus Flemmings’ new feature Palindrome eludes narrative convention just as much as it eludes thematic coherence.
Dangerous Lies isn’t a terrible film. If you set your expectations appropriately, it can actually be an entertaining movie.
Picture a Scientist is the documentary we need to continue the call for action, to continue awareness, and to remind those who would abuse a system, we see you.
Death of Nintendo doesn’t aspire to break any creative ceilings, but does perfectly fine within its own creative sandbox.
Unfocused to the core, Capone will leave viewers with more questions than answers.
Castle In The Ground is undeniably effective in its portrayal of the opioid crisis, but loses itself in its hopeless narrative. Maria Lattila reviews.
Throughout its limited run, The Eddy is a stylistic and emotional success. Any shots at true greatness, however, are hampered by some persistent narrative frailties.