2020s
With Vindicta, Sedlar commits fully to Hannah’s descent, resulting in a visceral character study of loss, rage, and the devastating cost of survival.
There’s no such thing as a “bad year for film.” But some years, it’s easier…
Like Strawberry Mansion before it, OBEX is a cinematic adventure with substantial charm in spite—or perhaps because—of its imperfections.
Chaperone is a truly unique film with stellar talent behind and in front of the screen.
Donald Trump recently oversaw a coup in Venezuela, kidnapping President Nicolás Maduro and his wife…
Cover-Up is about much more than just one man’s lifelong search for the truth; it’s a film about the importance of constantly interrogating those in power.
With a commanding performance from Josh O’Connor and a nuanced take on religion, “Wake Up Dead Man” is the best “Knives Out” mystery yet.
Just as in Zootopia, the world-building and neat details are incredible
Stir the porridge clockwise, or else you’ll let the devil in. At least, that’s what…
Little Trouble Girls takes a lovely, lyrical approach to time-worn tropes, the result of which is a film that entrances the audience despite its flaws.
Lynne Ramsay’s Die My Love starts and ends with the image of Jennifer Lawrence walking…
Peaches Goes Bananas follows a single tour and draws out the artist’s wide range of influences.
God loves a Trier – Joachim, that is. Not content to bless the Danish-Norwegian writer…
The Running Man is a film that doesn’t quite live up to the hype.
Mike Formanski, director of The Silent Light, draws on his dual backgrounds in filmmaking and music to explain the challenges and triumphs of wedding metal music to old movies.