2020s
One Battle After Another urges viewers to shake off the apathy that so often arrives on the heels of fizzling social movements.
Arriving to select theaters this weekend, The War Between is not the type of Western…
Scrappy and befuddled though Megadoc may be, Figgis has captured something inexplicable, compelling, and beautiful seemingly despite himself.
It’s no surprise that voice acting has been utterly disregarded by the Academy throughout the years, and that needs to change.
There’s usually no shortage of female filmmakers at the Toronto International Film Festival, and with the festival’s 2025 edition, that continues to be true.
While Driver’s Ed and The Ugly are vastly different films, both provide thoughtful social commentary on their respective issues.
Lloyd Lee Choi brings his feature film debut to Toronto, in what seems like a perfect home for a story about the immigrant experience.
Michael Garcia’s debut feature focuses on the grief of struggling musicians and an A&R rep trying to make a comeback.
Rabbit Trap is a visually satisfying film with a some interesting elements to play with and no propulsion whatsoever.
In Jacque Rabie’s debut feature Orchid, we witness what can happen when that infatuation is taken too far, and when a third person is added to the mix.
One would have to go all the way back to Pain & Gain in 2013 to find a dramatically inclined and nuanced performance from Johnson.
After collaborating for more than a decade, Bazuin and Werhun’s creative endeavours have culminated in a creatively charged feature-length film.
An energized ‘silent’ action film and a quirky narrative about a real life American who hid from authorities inside a local Toys”R”Us.
Originally designed for films appropriate for older kids, the PG rating now bares almost no distinction whatsoever from the G rating.
With Midsummer Scream only a few weeks past, folks in the LA area can look forward to the premier of the newest horror festival, Night Frights LA.