2020s
Too often dry in its narrative construct, audiences will find little emotional investment in The Miracle Club.
For those with a nihilistic sensibility, there will be solace in the nothingness that comes from Smoking Causes Coughing.
The NY Asian Film Festival provides movie lovers in the tri-state area with a great opportunity to see films across a wide range of genres.
Polite Society does have its flaws, yet the heart of the film shines so bright, it is easy to overlook them.
Dead Reckoning Part One is a vigorous dose of action filmmaking at its finest.
Morbius was a double failure at the box office because its lead is boring, its plot is derivative, and its marketing tried its damnedest to trick audiences.
The Out-Laws is a workable piece of entertainment, yet will struggle to be a film audiences remember after its release.
Fueled by brilliant performances and Petzold’s typically masterful storytelling, Afire will continue to smolder in the depths of your mind.
Wilson Kwong dives into two films that are interesting examples of dramatic French cinema with clear commercial appeal.
Have You Got It Yet is a vulnerable and intimate look at the rise of a band and the fall of a genius.
This series comes back for a season two with an entertaining entry that shows an improvement over the first both in writing and performances.
Dial of Destiny is not perfect, with noticeable flaws, but it is also very entertaining, exciting, and well-acted.
Ruby Gillman, Teenage Kraken doesn’t make a huge splash, but it does tread well enough to be an enduring animated film for those still in the kiddie pool.
Asteroid City is stylistically undifferentiated from most of Anderson’s recent output but it does take the audience behind the curtain.
The Stranger has many surprises and very clever narrative journeys, managing to build an atmosphere of suspense with very few and wisely used resources.