2020s
Deeply layered and nuanced, Blood finds the life line of horror and harnesses it for an experience that satisfies, and has you craving to return for more.
In the latest report from the 2023 Sundance Film Festival, Soham looks at the documentary films Kim’s Video and AUM: The Cult at the End of the World!
2022 was quite the year for horror cinema, and “Smile” takes the cake as a particularly horrifying look at how trauma endures.
In our latest report from the 2023 Sundance Film Festival, Wilson Kwong reviews Shortcomings and Jamojaya!
In our latest report from the 2023 Sundance Film Festival, Wilson Kwong reviews Theater Camp and Radical!
Wildcat, despite all its good intentions of stringing together the ‘beautiful’ parts of life, it remains disappointing in keeping those terrors distant.
In our first retort from the 2023 Sundance Film Festival, Wilson Kwong reviews Magazine Dreams and Fair Play!
Several nymphomaniac women at an addiction recovery retreat experience different ways of coping with confronting their conditions.
Brett Donowho’s The Old Way really makes an attempt to put the fire back into a slowly declining genre but it misses the mark.
A masterpiece, Door Mouse is a slick neo-noir that adds a lot to a genre that we don’t get enough of.
Well, the first episode of The Last Of Us has come and gone and it’s… beautiful. It’s haunting.
Despite boasting great performances and lavish production values, Chess Story feels unnecessarily messy, overwhelmed by the scope of its adaptation.
Alice, Darling could do with some whittling down, but many of the details make the film a needed testament to an under-explored experience.
If you like your horror movies to have a fast paced plot that still leaves time for scares and character development, then you need to see this.