2020s
Kevin L. Lee reports back the latest from SXSW 2021 with Here Before, The Spine of Night, and Broadcast Signal Intrusion!
Kevin Lee spoke with writers and directors Philip Gelatt and Morgan Galen King about their film The Spine of Night and more!
While Six Minutes to Midnight does tell a story about life on the cusp of World War II, it still doesn’t stand out.
Allen v. Farrow – from the first episode to the last – has been an exercise in biased reporting, never representing both sides of the argument.
Even though I can feel everything is well-intentioned, little to none of it resonated. Thy movie is amiss.
Episode three of Allen v. Farrow focuses on the allegations against Allen by a young Dylan Farrow and two seperate investigations into it.
Slaxx offers plenty of fun and amusing gory moments with a heartfelt story showcasing the evils of the fashion industry.
A sturdy but familiar entry, Nobody hews so close to standards that it brings the whole genre into question.
In his first report from the 2021 SXSW Film Festival, Musanna reviews Kid Candidate, WeWork and The Lost Sons!
Based on the 1892 Charlotte Perkins Gilman short story by the same name, The Yellow Wallpaper is a thriller that stumbles with uneven performances.
While underdeveloped and sluggish in approach, Phil Sheerin’s The Winter Lake is a sedate, rustic thriller examining familial complexities.
Charm City Kings is an expressionistic, powerful look at a neglected community that gets little attention on-screen.
Episode two of Allen v. Farrow looks into Woody Allen’s affair and eventual marriage of his former partner Mia Farrow’s adopted daughter.
Wildfire is a commanding calling card for Brady, showcasing kitchen-sink realism and a powerful portrayal of sibling heartbreak.
It embodies the theory of a movie’s intricate parts, and bit players function initially as individualistic entities that coalesce into a collective.