2020s
Creation Stories will appeal most to those with an interest in 90s pop culture as it is unabashedly content to revel in those memories.
What we’re given is far more surface-level than it should be, and unfortunately doesn’t add as much to the conversation as it perhaps thinks it does.
I Care A Lot suffers from a tonal shift, is still prevalent enough that the film is entertaining and enlightening all the way through.
Brivik spoke with Film Inquiry about his involvement in Wild Indian during its premiere at the 2021 edition of the Sundance Film Festival.
Like its title suggests, it is a peculiar tale that lives on its frustrating evocation of the ambiguity of love.
While Alice Fades Away maintains your attention, there is a certain spark missing throughout its core, leaving it enjoyable but far from memorable.
Wilson Kwong spoke with Natalie Chao at the 2021 Sundance Film Festival about her documentary To Know Her.
With a lack of investment in its central character and a lackluster execution, The Night is a film not likely to see the dawn.
Sex, Drugs & Bicycles allows us Americans to consider cruelties within our system that we have come to accept as the status quo.
A wild and wacky comedy with bold splashes of the fantastical, Barb and Star Go to Vista Del Mar is the vacation from reality we all need and deserve.
Judas and the Black Messiah is a nuanced film that slowly peels back its layers, revealing a depth that will resonate for years to come.
PG: Psycho Goreman may become a cult film favorite with its quotable lines, an imaginative cast of fantastical characters, and irreverent attitude.
There are few surprises to be had in Fatale, a film bloated with talent but which lacks the chops to make good use of it.
Donna is being released later this month onto all major streaming platforms. Film Inquiry had the opportunity to interview star Kate Amundsen.
Despite its conventional, problematic, and at-times tedious first half, The Map of Tiny Perfect Things finds its footing delivery emotionally rewarding.