2024
Furiosa: A Mad Max Saga, is a prime example of how to craft a narrative expansion that ignites a creative spark worthy of praise.
With I Saw the TV Glow, Jane Schoenbrun stakes their claim as the preeminent chronicler of those specific horrors inherent in coming of age as a millennial.
Curl Power has a deep awareness of the bonds of sisterhood that exist between the girls, yet is clever enough to also understand their individuality.
A timely horror satire chock full of gore and guffaws, Humane entertains in spite of its flaws.
Film Inquiry had the extraudinary chance to discuss with actor, writer and director Theda Hammel and actor John Early to discuss Stress Positions.
Imtiaz Ali’s Amar Singh Chamkila takes us through the life of one of the most loved and hated singers in Punjab, Amar Singh Chamkila.
Formerly the realm of big-budget blockbusters, the subgenre of underwater thrillers has been flooded with relentless low-budget pictures.
Soham Gadre takes a look at the Museum of the Moving Image’s “First Look” Series!
Bottle Conditioned is a fresh documentary about a beer known for being aged, and I recommend pairing it with a glass or two for yourself.
A skill that speaks to a seasoned directing team, but as a debut feature Birdeater tests and tortures, and doesn’t waver.
Three of the biggest headliners this year’s SXSW Film Festival are action movies, featuring some of the craziest fist fights seeen on the big screen.
My Sextortion Diary, the hour-long documentary that arose from Franquesa’s harrowing experience with digital blackmail.
This thriller is confidently executed enough to swing for the fences with metaphysical lore that’s either complex enough to unpack with friends.
Stopmotion is a unique gem within the realm of horror, capturing the disintegration of a puppet and puppeteer.
Admirably, Sew Torn remains winningly earnest in its treatment, aiming for Edgar Wright’s shaggy dogs over Nolan’s smooth criminals.