action
.Film Inquiry spoke with director John Andreas Andersen about his film The Burning Sea
With Seobok: Project Clone, it’s all too easy to be emotionally invested in their journey together, even in such an altogether generic film.
On this Away From the Hyper, Sean Fallon takes a look at the 2006 horror-comedy Snakes on a Plane!
Coupled with strong performances and talent behind the camera, All of Us Are Dead is a binge-worthy venture.
The Matrix Resurrections is a curious and fascinating sequel, one which is completely aware of its own existence but also confused about why it exists.
Bursting with much of the iconic lore and characters as well as being the most meaningful of Peter Parker stories, Spider-Man: No Way Home delivers.
Combined with Vaughn’s ability, there’s a genuine surprise to this entry that may make this the best of the series.
Thus far, Marvel and Disney’s Hawkeye is proving to be an entertaining romp that doesn’t feel as bound by the MCU timeline.
From the very first frame, Netflix’s live action Cowboy Bebop takes its shot at Shinichirō Watanabe’s classic anime and misses.
A 50th Anniversary retrospective on Steven Spielberg’s first feature-length film, Duel, and its place in Nixon’s America.
For this Away from the Hype Sean Fallon takes a look at The Matrix Sequels. How do they hold up?
New York Ninja feels destined to become a cult classic, the kind of film playing in the background at raucous house parties and neighborhood dive bars.
When it comes down to it, perhaps The Harder They Fall just attempts to do too much, and doesn’t quite have the necessary balance and patience.
Renny Harlin is one of cinema’s great workhorses — a constantly dependable, and occasionally remarkable carpenter of sturdy entertainment.
The Last Duel is a comfortable return to the medieval genre with tense battle sequences and an urgent takedown of a misogynistic system.