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Lake Michigan Monster embraces strangeness as it affectionately homages sci-fi B-movies of the 1950s and silent comedies of the 1920s.
In this week’s Video Dispatches, we cover the new releases of Hedwig & The Angry Inch (2001), The Loveless (1981) and a collection of Charley Bowers films.
Before We Vanish is always working in two dimensions at the same time: it’s gross and funny, incisive as a work of modern commentary and blunt as a dozen hammers.
