Benicio del Toro

THE FUNERAL (1996): Reversing The Genre, But Compromising Conviction
THE FUNERAL (1996): Reversing The Genre, But Compromising Conviction

In Ferrara’s world of fatalistic nihilism in The Funeral, there’s no escape from life torments, and only death and self-destruction hold the key.

NO SUDDEN MOVE: Stylish and Engaging Neo-Noir
NO SUDDEN MOVE: Stylish and Engaging Neo-Noir

With No Sudden Move, Steven Soderbergh has crafted a fun and twisty neo-noir that makes the best of its ensemble cast.

Once A Cop: The End Of Identity In THE PLEDGE
Once A Cop: The End Of Identity In THE PLEDGE

Retirement from the force isn’t just the end of his career — it’s the annihilation of his entire identity.

ESCAPE AT DANNEMORA: Riveting Prison Break Drama
ESCAPE AT DANNEMORA: A Riveting Prison Break Drama

Escape at Dannemora is a marvellous prison drama that requires patience and commitment, and features magnificent performances from three of the best actors working today.

How THE WOLFMAN (2010) Breaks Down The Corrosive Ideology Of Its Predecessor
How THE WOLFMAN (2010) Breaks Down The Corrosive Ideology Of Its Predecessor

Not only does 2010’s The Wolfman show us Sir John Talbot in a new, critical light, it reveals a corrosive ideology underneath a great, genre-defining film.

THE FRENCH DISPATCH Trailer

The French Dispatch is a love letter to journalists set in an outpost of an American newspaper in a fictional 20th-century French city.

SICARIO: A Veritable Magnum Opus

“Your American ears won’t understand, your eyes will see things that make no sense, but in the end you’ll understand,” DOD Operative Alejandro (Benico Del Toro) Brazen sunlight beats down on the terrain, voiding any visible shadows. Homes and domiciles of the Phoenix desert fill and occupy the frame, and the camera remains momentarily stationary. But then, in an instant, the machinery that captures and reproduces light stirs and begins to pan from right to left across the suburban community; as human beings, FBI agents in full riot gear with guns pointed, to be precise, enter into the picture.