biography
Judas and the Black Messiah is a nuanced film that slowly peels back its layers, revealing a depth that will resonate for years to come.
The Dig finds a good old tale of British excellence but never quite brings it to life failing to avoid trite pitfalls along the way.
Enfant Terrible, Oskar Roehler’s filmic biography of Rainer Werner Fassbinder, intertwines this political manifesto with its subject’s personal life.
Film Inquiry recently had the chance to speak with director Helena Coan about her loving documentary, Audrey.
For a true story about changing the rules, Safety sticks strictly to the dusty sports drama playbook.
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
Buñuel in the Labyrinth of the Turtles offers a peek into the mind of one of the most influential artists of the surrealist movement.
Director Matthew Heineman takes somewhat of a left turn to document the homecoming of Colombia’s biggest reggae superstar, J Balvín.
While the energy soars, I Am Woman is certainly neither the greatest musical biopic nor the most intriguing account of a musician.
William Hopson create the perfect double feature with Hamilton and Amadeus through the shared focus of their antagonized protagonists.
A very human story everyone can relate to, Nail in the Coffin is a strong, documentary with a very big heart and a very bloody mouth.
MUBI is currently hosting a mini-retrospective highlighting four of her features, including A Woman’s Revenge (2012) and The Portuguese Woman (2018).
While delivering an updated depiction of the inventor, Tesla falters in its attempt to deliver the true brilliance of Nikola Tesla.
William Hopson dives deep into how the power of Elton John music elevated his classic music to new heights in 2019’s Rocketman.
Inmate #1 is a powerful and poignant story with a fairy tale ending that will have you believing miracles really do come true.
