Bleecker Street
Ever since the start of the COVID-19 pandemic, filmmakers have generated embellished tales of horror…
Supernova is a remarkable little film, highlighted by the beautiful chemistry between stars Colin Firth and Stanley Tucci.
Ordinary Love’s minimalist approach to the narrative puts a lot of pressure on the performers, but fortunately, Manville, Neeson and Wilmot shine through at nearly every instance.
The Roads Not Taken is surprisingly immersive and punctuated with many emotional beats along the way.
For such a quietly paced film, The Assistant certainly tackles a very serious topic through an intensely contemplative lens.
Brian Banks tries so hard to be deep and meaningful that it ends up falling flat and feeling corny.
The Tomorrow Man examines the relationship of two elderly people preparing for the end of days that despite its charm remains shallow.
What They Had is an honest snapshot of a family during crisis, in all its inevitably chaotic shades – it’s exactly what you’d hope a movie about Alzheimer’s would be.
Colette touches on a few of today’s most vital conversations: how society treats women and how society treats those who identify with the LGBTQ+ community.
Papillon could have been an inspirational triumph of the human spirit, but instead it ends up as a slog, with little momentum to keep it going.
