Canada
As part of Melbourne’s annual Monster Fest, we got a look at one of the films in the lineup: Brandon Cronenberg’s Possessor.
Happiest Season is a holiday film that transcends a one size fits all, welcoming everyone home for the holidays.
The Twentieth Century proves that contemporary cinema still has an appetite for sweeping portions of unparalleled imagination and humor.
While Swans – Where Does A Body End? will be streaming on Amazon Prime, this a movie that should be played as loud as possible.
Pieces of a is nevertheless chock-full of indelible moments; ones that help you ride out its harsher sequences with earnest warmth and genuine care.
Deep down, what Possessor offers isn’t just violence and shock value, but has real ideas about identity and capitalism.
Night of the Kings explores how rituals, traditions, and stories can give people reasons to live even in the darkest times.
Wilson Kwong reviews Dusty Mancinelli & Madeleine Sims-Fewer’s Violation and Tracey Deer’s Beans as part of our TIFF 2020 coverage.
Wilson Kwong spoke with Madeleine Sims-Fewer and Dusty Mancinelli about their creative process in bringing such an important story to the big screen.
Charles Officer’s film Akilla’s Escape is an engaging and hypnotic look at a young man’s attempt to break away from a violent lifestyle.
Matthias & Maxime, Xavier Dolan’s most open and tender film to date, sees him reclaiming his wunderkind status as a director once again.
Stephanie Archer had the opportunity to speak with the Francesco Giannini about his film The Hall.
Mambo Italiano is a comedy so broad and uncommitted it doesn’t know what to do with itself, leaving much to be desired.
Heightened by its mirroring of current events, The Hall is an incredibly exhilarating ride you won’t want to get off of.
A very human story everyone can relate to, Nail in the Coffin is a strong, documentary with a very big heart and a very bloody mouth.