Canada
Unfocused to the core, Capone will leave viewers with more questions than answers.
Castle In The Ground is undeniably effective in its portrayal of the opioid crisis, but loses itself in its hopeless narrative. Maria Lattila reviews.
Antrum: The Deadliest Film Ever Made is an entertaining, but largely empty exercise in metanarrative and nostalgia.
Whatever cracks and uneven corners exist in Disappearance at Clifton Hill are easily glazed by a story that is good enough.
With its deeply rich messaging and intense showcase of tension, The Toll is definitely a film to add to your must-see list.
We were able to speak with Jonas Chernick, star of the upcoming sci-fi James vs. His Future Self, during the 2020 Glasgow Film Festival.
Suffering from poor editing and poor character development, Run This Town seems fated to become lost in a sea of releases.
Each of these stories featured an intriguing idea with theirr own successes, yet the compilation of Grim Woods leaves much to be desired.
A lightweight premise with heavyweight emotions, Shoot to Marry lets you ride shotgun on a highly entertaining journey of modern romance.
At the heart of Goalie is a tragic tale worth telling, but unfortunately the film, despite its best intentions, fails to do it justice.
Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.
The Death and Life of John F. Donovan is far from perfect, but still manages to be a fascinating attempt at exploring sexual identity, isolation and the consequences of fame.
The Soska Sisters film Rabid honors the basic premise of David Cronenberg’s original while meticulously crafting an identify of its own.
The events portrayed in Bombshell may have captured the world’s attention, but this film delivers too soft a punch to make the same impact.
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…