Cannes Film Festival
In what feels like a very natural fit, I’ll be pairing together two of the…
In this Cannes Film Festival report we take a look at Eddington and Two Prosecutors.
From this Cannes Film Festival 2025, Film Inquiry screened Pale View of Hills and Sound of Falling.
When Tom Cruise asks you to trust him one last time, it’s hard to say…
From Cannes Film Festival Wilson Kwong reviews Payal Kapadia’s Grand Prix winning All We Imagine as Light and Rúnar Rúnarsson’s When the Light Breaks.
From Cannes Film Festival, Wilson Kwong reviews
Magnus von Horn’s The Girl with the Needle and Agathe Riedinger’s Wild Diamond.
Jonathan Millet’s Ghost Trail and Guan Hu’s Black Dog both tackle serious subject matter with subdued restraint.
It’s truly difficult to qualify the beast of an experience that is Megalopolis, and because of that, there’s an undefinable elegance.
At Canne’s 2024, Film Inquiry reviews Quentin Dupieux’s The Second Act (Le Deuxieme Acte), and Rungano Nyoni’s On Becoming a Guinea Fowl.
Furiosa: A Mad Max Saga, is a prime example of how to craft a narrative expansion that ignites a creative spark worthy of praise.
Wilson Kwong dives into two films that are interesting examples of dramatic French cinema with clear commercial appeal.
Delphine Deloget’s social-realist French drama, “All to Play For,” also known as “Nothing to Lose,” premiered at Cannes in 2023.
Légua is a feature with various artistic virtues and moments of stunning visual prowess and a strong tendency toward mood and atmosphere.
Omen is an undeniably beautiful film that is a prime showcase for Baloji’s talents as a visual storyteller.
L’abbe Pierre stuns with incredible, reflective artistry, designing a an exquisite stage Benjamin Lavernhe dominates from start to finish.