Chris Hemsworth

Butchering the God Butcher: Why Marvel Should Fire Taika Waititi
THOR: LOVE AND THUNDER: Lost In A Fantasy Storm

While not the worst Thor film, Love & Thunder has a lot of potential in its fantasy adventure but rarely rises to become a worthy sequel.

SPIDERHEAD: Not Much Here to Look At
SPIDERHEAD: Not Much Here to Look At

Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.

THOR: LOVE AND THUNDER Trailer
THOR: LOVE AND THUNDER Trailer

Thor enlists the help of Valkyrie, Korg and ex-girlfriend Jane Foster to fight Gorr the God Butcher, who intends to make the gods extinct.

EXTRACTION Trailer
EXTRACTION Trailer

In Extraction, a fearless black market mercenary embarks on the most deadly extraction of his career when he’s enlisted to rescue the kidnapped son of an imprisoned crime lord.

JAY & SILENT BOB REBOOT: A 'Return To Form' That Kevin Smith Never Really Lost To Begin With
JAY & SILENT BOB REBOOT: A ‘Return To Form’ That Kevin Smith Never Really Lost To Begin With

Jay and Silent Bob Reboot, is a heartfelt, thoughtful film that takes a clever jab at Hollywood’s dwindling originality, while maintaining its own level of originality.

MEN IN BLACK: INTERNATIONAL: Thompson And Hemsworth Only Slightly Elevate An Awkward Script
MEN IN BLACK: INTERNATIONAL: Thompson & Hemsworth Only Slightly Elevate Awkward Script

Men In Black: International doesn’t work like it should, but Kumail Nanjiani is a standout in this mediocre entry to the franchise. Alex Arabian reviews.

AVENGERS: ENDGAME: A Proper Farewell

Avengers: Endgame was three hours of time-altering fights, blood, promises made, promises kept, and death – all culminating in a spectacular end to a decade’s worth of beloved movies.

MEN IN BLACK: INTERNATIONAL Trailer
MEN IN BLACK: INTERNATIONAL Trailer

In Men In Black: International, the Men In Black tackle their biggest threat to date: a mole in the Men in Black organization.

AVENGERS: ENDGAME Trailer
AVENGERS: ENDGAME Trailer

In the aftermath of Thanos wiping out half of all life in the universe, in Avengers: Endgame, the Avengers must do what’s necessary to undo his deed.

BAD TIMES AT THE EL ROYALE: Deconstruction that’s Stylish to a Fault
BAD TIMES AT THE EL ROYALE: Deconstruction That’s Stylish To A Fault

On the performances alone, Bad Times at the El Royale is worth your time and money, lending itself to justifiable reasons to revisit for multiple viewings.

12 STRONG: True Story Of Green Berets On Horseback Lacks Horsepower
12 STRONG: True Story Of Green Berets On Horseback Lacks Horsepower

12 Strong feels on a par with the cringeworthy, overly patriotic action films made during the significant wars of America’s past, with nothing to say about the nature of war itself.

THOR: RAGNAROK & The Perils Of Reinvention
THOR: RAGNAROK & The Perils Of Reinvention

Thor: Ragnarok may be a fun time, but it’s also disruptive to the MCU as a whole, trading real drama and storytelling for cheap laughs.

THOR: RAGNAROK: A Beast Of Hollywood's Burden
THOR: RAGNAROK: A Beast Of Hollywood’s Burden

In the age of over-bloated Hollywood tentpoles and remakes, Thor: Ragnarok is truly King of the…

A Look Back At THE CABIN IN THE WOODS: Overturning Horror Plot Devices
A Look Back At THE CABIN IN THE WOODS: Overturning Horror Plot Devices

 “The horror genre gets (us) in touch with our primal instincts as a people more than any other genre I can think of. It gives (us) this chance to … reflect on who we are and look at the … uglier side that we don’t always look at, and have fun with that very thing.” —Drew Goddard (IMDb) I may be a little late to the party (by about four or five years) but for those of you who have not yet seen Drew Goddard (writer and director) and Joss Whedon’s (writer and producer) The Cabin In The Woods be forewarned, this article contains spoilers.

IN THE HEART OF THE SEA: A Remarkable Story Told in an Unremarkable Manner

In the Heart of the Sea was originally supposed to premiere in early 2015, but it was pushed to later in the year at the last second. Ron Howard hoped that more people would come out to see the film now as opposed to in early spring, since some other oceanic adventure films have seen success around this time (Life of Pi, for example). It was my sincere hope that pushing the film to December was also because it would be worthy of premiering next to more awards-friendly films, which could mean that it was better than originally expected.