comedy
In the vein of Citizen Kane, the documentary sets out on the foolhardy task of finding Dean Martin’s Rosebud: the puzzle piece to unlock what made him tick.
Film Inquiry spoke with writer/director Camille Griffin for her feature directorial debut: Silent Night.
With Bad Luck Banging or Loony Porn, director Radu Jude seeks to expose the hypocrisy inherent in those who find sex obscene.
Queerly Ever After dives into 2006’s Long-Term Relationship, where two men enter a relationship despite their contrasting political views.
I’ve always wondered why Black Friday had not been explored in a horror film. Director…
Christmas on the Carousel is an entertaining Christmas romantic drama with strong performances.
Trick ‘r Treat lives up to its reputation taking the traditions of the holiday and wielding them into a horrific tale of lore, murder, and revenge.
In this week’s Queerly Ever After, we take a look at 2011’s What Happens Next, a romantic comedy where the romance outpaces the comedy.
Despite some improvements over the previous film, The Addams Family 2 still feels stuck in the first gear of safe animated adaptations.
With a breezy 85-minute runtime, there is always enjoyment to be found with such an impressive cast.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.
You’ll definitely laugh, and you might cry, too; whatever the case may be, you’re guaranteed to be moved by Trier’s empathetic storytelling.
Kristy Strouse gives us her final report from this year’s Toronto International Film Festival with her last four film reviews.
Kristy Strouse shares her third report from the 2021 Toronto International Film Festival with reviews for The Mad Women’s Ball, Out of Sync & I’m Your Man.
With Kristy Strouse’s next report she covers Silent Land, Encounter and Dug Dug!