comedy
Boris And The Bomb not only tries to be bigger than the sum of its parts but also seems to have a lot of heart put into it, yet it never reaches the heights envisioned by its creators.
A stellar debut packed with poignant performances, the beautiful Babyteeth announces Shannon Murphy as a director who deserves our full attention.
While a narrative focusing on young women exploring their sexuality without judgment would usually be greeted with enthusiasm, CRSHD treads well-worn stereotypes.
Hillary Shakespeare’s Soundtrack to Sixteen is a concise and delightful examination of teenage insecurities with great performances and strong writing.
At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.
Maintaining the humor of season one, the latest season of Ramy is also moving, heartbreaking, and relevant.
Whether you’re a fan of podcasts or adult animation, The Midnight Gospel offers a mind-bending experience to viewers that has not really been seen before.
What the show lacks in the easy charm of simplicity, it makes up for in a deeper emotional connection. Lovesick doesn’t replace the rom-com, it just offers a new, often improved, take on it.
Death of Nintendo doesn’t aspire to break any creative ceilings, but does perfectly fine within its own creative sandbox.
Central Park, as a show, goes down like a Manhattan. Straight-up and smooth and quintessentially New York.
Alice is a film that should enlighten anybody, because it’s about society as much as it is about Alice herself.
Faith Based isn’t the funniest film you’ll sit through this year, though it might get you through a lazy Sunday with a few laughs.
In a time when women are breaking boundaries and recreating the ideas and perspectives of female characters, How to Build A Girl delivers just that.
Cody Heller brings an inescapable vulnerability to her latest series Dummy, an honesty not typically seen in female driven stories.
Kept Boy is neither so bad it’s good, nor is it endearing. It’s just a dull movie populated by unlikable characters.