comedy
Lara Jean Covey is back and more relationship trouble is ahead for her, but the sequel feels like a missed opportunity. Maria Lattila reviews.
What Love Looks Like brings very little to the table in terms of originality or likeability. You’ve seen it all before, done better, and in more captivating ways and with better acting.
The Personal History of David Copperfield is a truly sincere retelling of Dickens’ story, one that taps into a new contemporary edge and presents itself in a distinctly cinematic fashion.
Brooklyn Nine-Nine continues to prove why it’s one of the best comedies currently on television with the premiere of its 7th season.
The story isn’t particularly revelatory, but the idiosyncratic humor and Zoey Deutch make Buffaloed a fun film.
A lightweight premise with heavyweight emotions, Shoot to Marry lets you ride shotgun on a highly entertaining journey of modern romance.
Birds of Prey is a colorful ball of chaos. Is it a cinematic masterpiece? Far from it. But it’s an absolute blast, and that’s all it needs to be.
With the series now concluded, if there’s one thing that The Good Place has taught us is that we shouldn’t give up on trying to be better.
Despite some stumbles and clumsy writing, the first season of AJ and the Queen is a heartwarming, heartbreaking delight that lets you ride out every emotion.
In the end, BoJack Horseman is a show about growth, and Season 6 proved that the series evolved along with its characters.
In her latest report from the 2020 Sundance Film Festival, Janet Lee reviews The Mountains Are A Dream That Calls to Me and Save Yourself!
Dolittle is what happens when you take a story with potential but fail to make it interesting or entertaining.
Whether it’s about Star Wars or politics, What’s Your Ailment is an escape, and one that’s quietly revolutionary.
While the performances, production, and humor remain top-notch, Sex Education season two is a regressive step compared to its revolutionary first season.
