comedy
In the new comedy Not an Artist, we follow a group of artists taking the ultimate gamble to unlock their true potential, or perhaps lack of it.
Rocky’s focuses on complicated friendships and the joy we can still find in them, even if a tragedy forced us back together.
Running Erins offers an exploration of modern motherhood, social expectations, and the overwhelming challenges of trying to have it all.
Criterion’s new edition of Paper Moon is what so many have been long waiting for—a definitive release of this staple of 1970s American cinema.
Micro Budget is a hilarious look at the struggles of filmmaking and an interesting character study of those just crazy enough to try.
The direction, the cinematography, the lighting, all of it mesh together to highlight the wild and always forward story that is Greedy People.
Murdering the Devil is a prime example of how exhilarating the films of the Czechoslovak New Wave can be, and how much they owe to Krumbachová’s talents.
We spoke with Johnny Ma whose film The Mother and the Bear is a vibrant and unique film that points toward the evolving versatility of Canadian filmmakers.
Film Inquiry spoke with writer/director Zoe Eisenberg for her film Chaperone!
Through its rich mix of dark comedic elements and deeper psychological questioning, something fascinating is evoked in A Different Man.
If you somehow need more proof that artificial intelligence cannot rival the humanity needed to create great art, all you need to do is watch Anora.
Tuesday was a beautiful and moving film, if you haven’t seen it, you need to and you need to tell five friends to do the same.
Film Inquiry soke with director Sook-Yin Lee really for the TIFF film Paying For it.
Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.
Both The Assessment and Emilia Pérez demonstrate the versatility of a festival like TIFF, which is always inclusive of all genres and subgenres of cinema.