comedy
Viva is told by an indie woman director whose mise-en-scene and script pay tribute to classic musicals.
Despite its flaws, Six in Paris should fascinate fans of the French New Wave—or, really, fans of anything French at all.
Michael Friberg’s newest short, You Are Here, blends comedy and existentialism as one man grapples with the sheer scope of existence.
Liu Jian’s Art College 1994 rejects these clichés and instincts, instead seeing youth in the face of art for what it is: blowing a lot of hot air.
At Canne’s 2024, Film Inquiry reviews Quentin Dupieux’s The Second Act (Le Deuxieme Acte), and Rungano Nyoni’s On Becoming a Guinea Fowl.
Hundreds of Beavers is a comedic masterpiece, delivering non-stop hysterical sight gags, formal ingenuity, and cathartic woodland violence.
Film Inquiry had the extraudinary chance to discuss with actor, writer and director Theda Hammel and actor John Early to discuss Stress Positions.
Kung Fu Panda 4 has lost some of its mojo, but still has a few nice moves left in this old franchise.
A dark fairy tale that blurs the line between reality and fantasy, Riddle of Fire will make you feel young again in the best way possible.
Club Zero is often disturbing and always engaging, but it’s certainly not for everyone.
From Ridley Scott’s Alien to David Cronenberg’s The Fly, From Little Shop of Horrors to Frankenstein, Leprechaun 4 not only takes us to the depths.
The Movie Emperor spawns one of Andy Lau’s most interesting performances in recent years.
Film Inquiry spoke with writer/director Pete Ohs for his newest film Love and Work!
With his fourth feature film Love and Work, Pete Ohs has proven himself a master of creating unique screen stories with remarkably little on-screen frills
Film Inquiry spoke with the Co-writers/directors Eric Laplante and Susie Moon about Darla in Space!