crime
Marcus Flemmings’ new feature Palindrome eludes narrative convention just as much as it eludes thematic coherence.
The Man with the Golden Arm’s outlawed aesthetic and spirit make it a tangible and lasting achievement.
Unfocused to the core, Capone will leave viewers with more questions than answers.
Patrick Bateman represents the horrors of addiction, hedonism, narcissism and greed – and with a dose of humour, he’s a character that remains ingrained in our pop culture landscape.
A satisfying slice of sleaze served up on celluloid, Série Noire is a deliciously good watch.
After eight stellar seasons, Showtime’s Homeland has finally come to an end. Prisoners of War…
Bad Education is not just a great true story account, but also an excellently crafted and complex one, complete with phenomenal performances.
Clement Tyler Obropta looks back at four BBC Agatha Christie adaptations, all reimagined for the small screen by Sarah Phelps.
In The English Teacher, the penultimate episode, the team behind Homeland delivers a stellar story, weaving the various threads through the loom into a masterful tapestry.
With strong performances by the young cast, and beautiful cinematography, Stray Dolls is an intriguing crime drama with an important insight into a forgotten part of American society.
Agatha Christie’s The Pale Horse, though not quite a detective story, seems designed to test the genre’s rules, and also my patience.
“Designated Driver” was as compelling as any episode this season of Homeland, despite the flaws. But where do things go from here?
When the show digs deep into its examination of masculinity and male emotions, The Sinner remains a standout like no other crime show on TV right now.
As we round the final base for the home stretch, these last three episodes promise to be as compelling and exciting as any Homeland has seen.
Escape at Dannemora is a marvellous prison drama that requires patience and commitment, and features magnificent performances from three of the best actors working today.