drama
Mary Louise Parker is a versatile actor who has found success on stage, TV and in films; here is a rundown of her career so far.
A Father’s Day is a short film told about an estranged pair of father-daughter zombies, and it is surprisingly effective.
Despite a talented cast and crew, The Glass Castle ultimately fails as an adaptation of the famous memoir due to some questionable decisions.
England Is Mine is a blend of fact and fiction, delving into the early life of The Smiths frontman Steven Morrissey.
Pilgrimage is rife with metaphors connecting the Dark Ages with contemporary issues, making us wonder if we’ve advanced as much as we think.
A Boy Called Po lacks a realistic exploration of autism, falling into common tropes surrounding the depiction of autism in Hollywood films.
6 Days is a mostly well-made film based on true events, but its similarity to our current political climate makes it an uncomfortable watch.
As a coming-of-age tale, Liza, Liza, Skies Are Grey is inoffensive, as a reminiscence of the Cold War years, it’s inert, as a whole it’s completely inconsequential.
We were able to sit down and talk with Francis Lee, director of the acclaimed upcoming British drama God’s Own Country.
Chronically Metropolitan is a quirky romantic indie about life in New York City; though not perfect, it’s reasonably enjoyable.
Ying & Yang is empowering and heartbreaking, giving a window into the messed up mind of a man deciding his own fate.
The Passion of Augustine offers glimpses into life before womanhood sets in and all the growing pains that come with this journey.
Matt Keeslar is a lesser-known actor that nonetheless gave some fine performances across many different genres.
Home is an unapologetic look at the limited options available for Kosovo women and the oppression of its patriarchy.
Australia Day is a Crash-style drama that contrasts 3 different minorities facing persecution and racism on the backdrop of Australia Day.