drama
Though inspired by the erotic thrillers of the ’90s, Bad Girl ultimately fails to do anything original or exciting with its material.
As one of his final curtain calls, Limelight is a sterling reminder of Charlie Chaplin’s contributions to culture and the art of cinema.
Aquarius is a powerful character study about a woman fighting back against vulnerabilities, anchored by a fine performance from Sônia Braga.
Gorgeous black and white look aside, Six Rounds proves too underwhelming in the screenplay and character departments to be a true knockout.
Song to Song brings A-game performances and an was aesthetically pleasing look, all that was missing was a strong plot.
Here Alone is a survival story in a zombie apocalypse, but its story struggles to survive against the great zombie films that precede it.
Not only the birth of star Jennifer Lawrence, Winter’s Bone is also a gritty, eagerly grim look at small-town, poverty-stricken America.
Blending grounded animation with fantasy, Only Yesterday is a stunning work from Studio Ghibli, expressing down-to-earth life in the country.
American Fable doesn’t quite strike all the right chords, lacking just one spark that might have turned this movie into a lasting cult classic.
![[RE]DEFINED: A Complex Story In Simple Terms (& Interview With Writer/Director, Danae Grandison)](https://www.filminquiry.com/wp-content/uploads/2017/03/redefined-1.jpg)
Danae Grandison’s [Re]Defined is a 10-minute short film that dives into the nitty gritty of adolescent life, leaving few doors unopened.
Fantassút, a short documentary about the largest refugee camp in Europe, is a surprisingly beautiful depiction of real people who lived through hellish conditions.
God Knows Where I Am lacks the necessary energy, yet successfully tackles the issues of freedom and the unnecessary loss of life.
Personal Shopper is the rare film that is unclassifiable in terms of genre, refusing to neatly fit in to the preconceptions of a horror film, as well as lacking a distinctive explanatory reading.
With sci-fi short Caleb, Amanda Mesaikos and Susanne Aichele have brought us a unique and interesting piece that keeps the viewer engaged.
For a story we’ve seen over and over, Mean Dreams, Bill Paxton’s last film, is compelling, refusing to take the usual narrative routes.