drama
Last Breath is a movie that strips away all the Hollywood fluff, but turns in a delightfully-tense docudrama-thriller.
For our final installment of Slamdance, we’re covering a fictional drama about the struggles of Alzheimer’s and a documentary about a New York LGBTQI icon.
For this installment of Slamdance coverage, we’re looking at an inspiring documentary and a gripping fictional drama based on a true story.
Play It as It Lays is the rare adaptation of a literary masterpiece that lives up to the source material.
Racewalkers reminds us of the beauty in embracing the quirky, the unconventional, and the unexpected.
Sundance this year has Twinless, an audacious exercise in storytelling, and Train Dreams that is equally as compelling.
Armand is at its best when it serves as a showcase for its quartet of talented lead actors.
From sharp satire to raw emotion and meta-commentary, these three films take wildly different approaches to storytelling in this Sundance Film Festival.
While quirky and strange are always welcoming qualities, they can also be quite risky. Wilson Kwong reviews Bubble & Squeak and By Design.
A Woman is a Woman has never looked or sounded better—but Karina’s effervescent charm remains the film’s most valuable asset.
While these three Sundance movies are narratively different, their female focus leaves this trio, all by female directors, a fantastic assembly of our talent in today’s industry.
Presence is not a good horror movie. Instead, the film succeeds as a melancholy drama.
From Sundance Film Festival, Jules Caldeira takes a look at Brides, Seeds, and Sugar Babies.
With Sunfish (& Other Stories on Green Lake), we have a Sundance newcomer in Sierra…
Here’s a look at a Spanish-language fable, a crime comedy, dystopian sci-fi, and a Khmer-language story about a dead woman and her Queer grandson.