drama
In rapid succession over the past couple of years, the cinema of Hong Sang-soo has…
Fear Street: Part Two – 1978 is a charming and at times, heartfelt horror film, but its moments of horror are often hidden from the viewer, creating a film that does not fully embrace its potential.
With excellent performances, gentle direction, and an incredibly moving musical score by Alexis Grapsas and Philip Klein, Pig was a big surprise.
Externo is a definite recommendation for those searching for something out of the ordinary in terms of storytelling and high concept.
The debut feature from Saudi Arabian filmmaker Shahad Ameen, Scales weaponizes repressed femininity in the…
For the release of her new film, Holler, Film Inquiry sat down to speak with writer and director Nicole Riegel.
In her final report, Kristy Strouse reviews Werewolves Within, The Kids, No Future & Ultrasound.
It’s far from perfect but Zola delivers strong performances, visual language and sound design to make something unique and alluring.
Identifying Features takes time to get going but successfully wagers the audience’s patience with a terrifying finale that lingers long after the credits.
For this Queerly Ever After, we take a look at the 2012 film Morgan.
While Petrunya herself is certainly a figure worthy of veneration, the film doesn’t quite live up to her character.
The new Criterion release allows the viewer to appreciate everything Kobayashi’s towering masterwork has to offer at an even greater level.
Physical never loses sight of what it does best: exploring Sheila’s inner journey in a way that is both entertaining and compelling.
In the Heights follows a small corner of individuals as they face gentrification, immigration, and acceptance of self during the summer’s hottest days.
Kristy Strouse gives us her first Tribeca Film Festival report with three films: No Man of God, Shapeless and Mark, Mary & Some Other People.