drama
A Woman is a Woman has never looked or sounded better—but Karina’s effervescent charm remains the film’s most valuable asset.
While these three Sundance movies are narratively different, their female focus leaves this trio, all by female directors, a fantastic assembly of our talent in today’s industry.
Presence is not a good horror movie. Instead, the film succeeds as a melancholy drama.
From Sundance Film Festival, Jules Caldeira takes a look at Brides, Seeds, and Sugar Babies.
With Sunfish (& Other Stories on Green Lake), we have a Sundance newcomer in Sierra…
Here’s a look at a Spanish-language fable, a crime comedy, dystopian sci-fi, and a Khmer-language story about a dead woman and her Queer grandson.
This year, I’m kicking off Sundance with one of their short film programs. Here are four films from the Short Film Program 2.
Scuba, the feature debut of writer-director Jacob Vaus, tells the story of two outsiders who find each other just when they need to.
At this year’s Sundance Film Festival, Wilson Kwong takes a look at The Ugly Stepsister and The Dating Game!
Bye Bye Love stands on its own as one of the most vibrant and energetic films of the Japanese New Wave.
The Room Next Door, unfortunately for itself, says too much and yet nothing of substance.
Daruma, the newest feature from Alexander Yellen and Kelli McNeil-Yellen, is an inspiring example of why representation is so necessary.
Oceans Are the Real Continents is a beautiful, bittersweet love letter to a place and a people that remain irrevocably intertwined even in separation.
The program for Sundance 2025 includes a whopping 87 feature-length films from filmmakers across 33 countries and territories.
Running Erins offers an exploration of modern motherhood, social expectations, and the overwhelming challenges of trying to have it all.