drama
Despite its inconsistent storytelling and wooden performances, Night of the Harvest offers a certain charm that inspires appreciation for filmmaking.
Film Inquiry spoke with writer/director Zoe Eisenberg for her film Chaperone!
Through its rich mix of dark comedic elements and deeper psychological questioning, something fascinating is evoked in A Different Man.
If you somehow need more proof that artificial intelligence cannot rival the humanity needed to create great art, all you need to do is watch Anora.
Wilson Kwong spoke with writer Blessing Uzzi and director Afolabi Olalekan about their film Freedom Way and its powerful story on police brutality.
Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.
The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.
On this TIFF report, Kristy Strouse reviews The Mother and the Bear and Shepherds – two unforgettable films on a path to self discovery.
WE’RE NOT MARRIED? Interview With Star Danielle Larracuente and Writer/Executive Producer Rae Lashea
Film Inquiry spoke with Danielle Larracuente and Rae Lashea for the film We’re Not Married!
Both The Substance and The Last Showgirl evaluate mortality by leaning on their respective stars’ relationship with celebrity in real life.
Girls Will Be Girls is a powerful examination of how the patriarchy continues to punish girls/women for pushing back against the narrow roles prescribed.
Both TIFF films yearn to be more than what they actually are, but alas, gets stranded in a middle ground of mediocrity.
Conclave and We Live in Time are prime examples of solid filmmaking, that will likely be successful regardless of what accolades they end up garnering.
The Way We Speak is a formidable and ambitious drama that shows the power of words.
Wala has crafted a fine story, and impresses in his feature film debut with the TIFF film: Shook.