drama
Scuba, the feature debut of writer-director Jacob Vaus, tells the story of two outsiders who find each other just when they need to.
At this year’s Sundance Film Festival, Wilson Kwong takes a look at The Ugly Stepsister and The Dating Game!
Bye Bye Love stands on its own as one of the most vibrant and energetic films of the Japanese New Wave.
The Room Next Door, unfortunately for itself, says too much and yet nothing of substance.
Daruma, the newest feature from Alexander Yellen and Kelli McNeil-Yellen, is an inspiring example of why representation is so necessary.
Oceans Are the Real Continents is a beautiful, bittersweet love letter to a place and a people that remain irrevocably intertwined even in separation.
The program for Sundance 2025 includes a whopping 87 feature-length films from filmmakers across 33 countries and territories.
Running Erins offers an exploration of modern motherhood, social expectations, and the overwhelming challenges of trying to have it all.
Another Day in America is a sharp social commentary with explosive performances and a searing snapshot of everyday life.
Hold Your Breath is a fantastic film and at a short runtime, what do you have to lose to give it a shot?
Tarkovsky’s work redefined how the language of cinema can be used to tell stories, especially with The Sacrifice.
As in all his work, McQueen coaxes strong performances, with particular props to first-timers (at very different ages) Heffernan and Weller.
We spoke with Johnny Ma whose film The Mother and the Bear is a vibrant and unique film that points toward the evolving versatility of Canadian filmmakers.
Despite its inconsistent storytelling and wooden performances, Night of the Harvest offers a certain charm that inspires appreciation for filmmaking.
Film Inquiry spoke with writer/director Zoe Eisenberg for her film Chaperone!