drama
With deeply moving and dynamic performances top to bottom, American Woman is a powerhouse of a film.
Episode 6 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Wade in the Water is raw, supplying dialogue that’s probably too forthright for Hollywood, but it also pulls off something inventive and darkly funny.
The Devil and The Lovers serve as a fascinating double-bill of Too Old to Die Young but it remains to be seen whether the series will grow into its own.
Katie Says Goodbye proves playing an uplifting song at the end of a film doesn’t resolve the absence of thematic meaning that was lacking throughout the entire movie.
With gorgeous cinematography, The Third Wife invites us into a broken world of arranged marriage and patriarchy in 19th-century Vietnam.
Jeffrey fully embraces the AIDS contradiction of 1995, always teetering on the edge of potentially borrowed time.
When They See Us may be Ava DuVernay’s finest work, telling a deeply human story about the way people of color have been and continue to be seen.
In the Aisles takes audiences deep into the emotional lives of people who seem destined to hover on the periphery and highlights the beauty to be found there if one bothers to look.
What’s Eating Gilbert Grape is a story of deep familial relationships suggesting the importance of understanding the struggles of mental health.
We spoke with Harry Greenberger about his directorial debut Staring At the Sun, the film’s festival run, and what he has planned next!
Directed by Deon Taylor, The Intruder treads into territory that is unfathomable for most of us and may not be the kind of place you want to stay in.
Episode 5 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
If Michael J. Gallagher continues to craft sharp, smart films like Funny Story, he may build his own unique place in current American indie cinema.
By using a traditional revenge movie template, Jennifer Kent reminds us that we can have no catharsis for the horrors of the past.