Documentarian Courtney Stephens and actress Callie Hernandez join Film Inquiry to discuss “Invention.”
Now newly restored in 4K, Pink Narcissus has returned to hypnotize viewers and remind us of the undeniable impact Bidgood’s had on queer art and culture.
At the 2025 SXSW Film Inquiry takes a look at Good Boy, Redux, Redux & Mermaid.
A Knight’s War blends classic fantasy motifs and adding a dark, unique edge that’s visually gripping.
Though these two films, “Didn’t Die” and “Rains Over Babel,” are very different stories, they are tied together by ideas of mortality.
It feels as if all the tools are in place for a live-action How To Train Your Dragon to stick the landing at the box office.
If Neon can stick the landing, The End has potential to be a breakout indie hit and a generational film of 2024.
Tuesday was a beautiful and moving film, if you haven’t seen it, you need to and you need to tell five friends to do the same.
The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.
From this year’s New York Asian Film Festival we take a look at Pattaya Heat, Twilight of the Warriors: Walled In & Brush of the God!
When I think of epic and intimate storytelling in animation, I think of The Lion King (1994).
It has a lot of charm and it’s refreshing to see something playing by its own rules and not following a rigid formula.
Kung Fu Panda 4 has lost some of its mojo, but still has a few nice moves left in this old franchise.
From Ridley Scott’s Alien to David Cronenberg’s The Fly, From Little Shop of Horrors to Frankenstein, Leprechaun 4 not only takes us to the depths.
For this Horrific Inquiry we take a look at 2010’s vampiric Let Me In.