fantasy
An elegy not just for the human race but for the great artist that brought it to the screen, Last and First Men is a striking meditation on mortality.
While flawed, Chloe Zhao’s Eternals features the Marvel Cinematic Universe’s most emotionally satisfying story since Black Panther.
In the first Animation Sensation, Dallas Marshall reviews Wizards, that while flawed, is worth checking out just for its audaciousness alone.
If you haven’t had the chance to see this Burton classic, there isn’t a better time than now to embrace the folklore of Sleepy Hollow.
From the ghosts that inhabit the home to the outstanding performance of Matthew Lillard, Thirteen Ghosts is sure to have a little something for all.
In the latest report from TIFF 2021, Wilson Kwong looks at solid examples of creative storytelling with All My Puny Sorrows and Kicking Blood.
Céline Sciamma’s Petite Maman follows a young girl exploring her mother’s childhood home and finding another girl in the surrounding woods.
Despite some predictable plotlines, it doesn’t take away from the quality, experience, and entertainment The Uninvited promises to its audience.
It’s films like Angel’s Egg that make the critic feel like a charlatan, aimlessly looking for patterns in the entrails.
The Green Knight is an immersive, beautifully photographed if sometimes frustratingly structured fantasy adaptation.
Written and directed by Edson Oda in his directorial debut, Nine Days is as thoughtful as it is beautiful, as heartbreaking as it is jovial.
Jungle Cruise is far from cringe or embarrassment, and sure, it’s never actively terrible. But the bar shouldn’t be set this low.
For its high-concept presentation, The Wanting Mare is not a very demanding picture but more of an invitation to a unique passion.
It mostly delivers on the thrills and kills, providing enough of a jolt of energy to satisfy genre fans.
Lisey’s Story is a miniseries of magic, both in what it explores universally, but also what it generates internally.