film festival
From SXSW we take a look at Drop, Death of a Unicorn and Slanted!
Bob Trevino Likes It is a truly wonderful piece of cinema, both heart-wrenching and life-affirming in equal measure.
Ghostlight is at once profound and moving and insightful, and features some of the most natural chemistry and acting you’ll see on screen this year.
At the 2025 SXSW Film Inquiry takes a look at Good Boy, Redux, Redux & Mermaid.
The film may fall short of capturing the epic nature of The Odyssey, but Ralph Fiennes and Juliette Binoche’s powerful performances elevate it beyond its flaws.
The mission of Avondale film festival is to provide a platform for filmmakers to express visual stories that reflects their perspective on the world.
Sundance this year has Twinless, an audacious exercise in storytelling, and Train Dreams that is equally as compelling.
From sharp satire to raw emotion and meta-commentary, these three films take wildly different approaches to storytelling in this Sundance Film Festival.
While these three Sundance movies are narratively different, their female focus leaves this trio, all by female directors, a fantastic assembly of our talent in today’s industry.
Like any good exploitation movie Exorcismo feels like a pleasant discovery for a genre buff, a treat from the back of the video store.
Generation Terror proves a refreshing revitalization of the nuances under all the blood and guts, as well as the guts themselves.
Witches starts off like a video essay. Writer, director, editor (and “star”) Elizabeth Sankey talks…
We spoke with Johnny Ma whose film The Mother and the Bear is a vibrant and unique film that points toward the evolving versatility of Canadian filmmakers.
Wilson Kwong spoke with writer Blessing Uzzi and director Afolabi Olalekan about their film Freedom Way and its powerful story on police brutality.
Film Inquiry soke with director Sook-Yin Lee really for the TIFF film Paying For it.