Germany
Riefenstahl should be the last word on its subject—not just because it is the definitive one, but also because it is the last one we need.
Taxi Zum Klo is a unique and proud feature that dares its audience to consider homosexuality and sexuality in general as natural to being human.
From this Cannes Film Festival 2025, Film Inquiry screened Pale View of Hills and Sound of Falling.
Armand is at its best when it serves as a showcase for its quartet of talented lead actors.
The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.
Sisi & I is a worthwhile look at her life through the eyes of another, even as it suffers from comparisons to similar work.
Robert Schwentke’s German film “Seneca: On the Creation of Earthquakes” is the latest movie in which John Malkovich gets to yell at people.
Ultimately, though the package may feel familiar, The Devil’s Bath still has cogent ideas to share.
Club Zero is often disturbing and always engaging, but it’s certainly not for everyone.
Horror films have trained us to expect the final girl, but Funny Games does not acknowledge this hope and desire for survival.
An effective and vitally relevant piece of cinema, Eternal You is both a display of hope and caution that we all need to hear.
From New York Film Festival, Lee Jutton reviews La Chimera and About Dry Grasses!
Bark plays on the maddening isolation and sense of despair when all hope seems lost and escape impossible.
While Perfect Days is minimalistic and quiet, almost to a fault, Les Indésirables is a bombastic cinematic experience.
The Last Voyage of the Demeter turns in a light Dracula voyage too bound by its stock itinerary to sail into more adventurous waters.