Hayao Miyazaki
The film is both historical and deeply personal in a way that will resonate with those who have been through similar experiences.
The Boy and the Heron is a dark, dreamlike vision of life, death, and creation as seen through the eyes of a magical cinematic storyteller.
Cinephiles fans can virtually visit the Ghibli Museum, a celebration of the prolific Japanese animation studio’s work, designed by Hayao Miyazaki.
Whether elements in My Neighbor Totoro are imagined or real, the film explores family dynamics in a way that may be relatable to a number of individuals.
Shawn Glinis recommends some recent home video releases that would make great holiday gifts in his latest Video Dispatches.
Porco Rosso is a film beaming with silliness and warmth, while also being tied and grounded in a particular human timeframe like very few Miyazaki movies can boast to have.
The Colour of Pomegranates is not only a window into the age of silent cinema, transplanted to 1969 but a window into a new way of thinking.
The brilliance of some movies just isn’t evident on a first viewing, whether it be due to our age or the film’s density; here are some that needed a second watch to fully appreciate.
In our latest collaboration, we discuss cinematic worlds we want to live in, ranging from John Ford’s Westerns to Jacques Demy’s musicals.
How to summarise Hayao Miyazaki in a few words? Brilliant, magical, ecologist, fantastic, cultural, wise, a true master of his art: animation.
It’s rare that we see such a rich fertile imagination in cinema. Hayao Miyazaki didn’t create movies but fantastically textured worlds that were so unique and yet so specific to his sensibilities. Miyazaki films can’t be categorized, and that’s what makes him such a distinctive auteur.
There are a million great films outside the U.S, it’s just you haven’t seen them. Good fortune smiles on you today because I’m here to show 15 foreign flicks you should have seen a long time ago.
