history
Politically charged and historically conscious, Chris Marker’s fertile imagination makes him one of the cinema’s most transcendent artists.
The sounds and the visuals are warm, especially if you are a fan, inviting you in not as a viewer but as a fellow lover of “liquid art”.
Attempting to fit a lifetime of legendary adventure into a two-hour film, Amundsen: The Greatest Expedition doesn’t manage to tell us that much at all.
Judas and the Black Messiah is a nuanced film that slowly peels back its layers, revealing a depth that will resonate for years to come.
Blizzard of Souls is a movie made up of things a good movie is normally made up of, but with no comprehensive thread to connect them.
With History of Swear Words, Netflix delivers entertainment and knowledge regarding those naughty words that have morphed throughout the years.
The Dig finds a good old tale of British excellence but never quite brings it to life failing to avoid trite pitfalls along the way.
The Guernsey Literary and Potato Peel Pie Society is a story about stories, why we share and retell them, and why we adapt them.
William Hopson create the perfect double feature with Hamilton and Amadeus through the shared focus of their antagonized protagonists.
MUBI is currently hosting a mini-retrospective highlighting four of her features, including A Woman’s Revenge (2012) and The Portuguese Woman (2018).
It is an unapologetically quirky indie with a big heart and some very valid points to make about the insidiousness of fascism.
Greyhound passes by as a monotonous series of skirmishes that never feel that threatening, even when boats are exploding around them.
At the center of Woo Min-ho’s The Man Standing Next lies a political scandal that has puzzled historians for decades.