horror
From SXSW we take a look at Drop, Death of a Unicorn and Slanted!
In this For the Love of Horror, Film Inquiry takes a look at the Public Domain horror space.
A crazy quilt horror comedy like Dead Lover is likely not to everyone’s taste, but this film’s playful, undead spirit is contagious.
Borderline does a lot over the course of its 90 minutes, it made us laugh, it made us cringe, it made us look through our fingers.
Film Inquiry spoke with Ben Leonberg and Kari Fischer, the team behind the dog focused ghost story Good Boy!
At the 2025 SXSW Film Inquiry takes a look at Good Boy, Redux, Redux & Mermaid.
No amount of blood or cool gory effects could save Stream from itself.
Bloody Axe Wound’s ideas were there but the writing couldn’t back them up or bring them to a place where we could fully care about anything happening.
House of Spoils is striking and interesting at first, but by the time the action comes it is too little, too late.
Like a Saturday Morning cartoon drenched in blood, The Monkey throws everything it can at its audiences.
Nosferatu is a cinema masterpiece, an art house piece from an indie director who could do anything he wanted yet he chooses to make high art.
Film Inquiry spoke with writer/director Kevin Lee and his star Angela Wong Carbone for the short film Aly.
It’s 97 minutes of pure bonkers cinema and it deserves to be watched by as many people as possible.
Heart Eyes is an ode to holiday horror-slasher films of the past, coming into a space that has been left vacant for a while and solidly planting their flag.
While these three Sundance movies are narratively different, their female focus leaves this trio, all by female directors, a fantastic assembly of our talent in today’s industry.