With The Saviors, Hamedani has created something that is uniquely discomforting. It’s the kind of bold storytelling we need more of.
Obsession is a slyly well-structured and blackly comic monkey’s paw romp that draws you in and keeps you hooked from start to finish.
It ain’t SXSW if we’re not getting our horror and action comedies. This year is no different, as we get some of the most unhinged headliners to date.
These three SXSW titles shook up the status quo and took (mostly) unexpected turns to create something exciting.
Inventive, edgy, and ultimately unforgettable, Grind & Drag are coming through with the big SXSW vibes.
Film Inquiry had the pleasure of sitting down with Emily Robinson to discuss her journey, the creation of her film, and the profound themes it explores.
Undertone is mostly a vibe-piece–– a thin 2000s horror narrative wrapped up in a 2020s look and feel.
Film Inquiry spoke with the wonderful team behind Good Fiend Films.
Here it is, my final Sundance coverage from Park City. It’s been a bittersweet journey,…
The Twisted Childhood Universe, or Poohniverse, is a collection of movies where wonderful, colorful, and,…
Some of this year’s coverage from Sundance Film Festival 2026, the last in Park City.
Nadja might lack the gloss of later vampire films with larger budgets, but that’s part of what makes it such a fun watch.
Hello hello, everyone! Spooky season has come and gone, and with it the annual rush…
It’s October once again, and to celebrate the spookiest month of the year, we’ve asked…
First Moon is a religious chamber drama — a film that takes place in a…