horror
Let’s Scare Julie is technically ambitious and impressive, but never utilises its format to the fullest.
Repossession bites off more than it can chew, but it’s a scrappy film nonetheless that provides enough thrills to satisfy a horror fanatic.
Wilson Kwong spoke with Madeleine Sims-Fewer and Dusty Mancinelli about their creative process in bringing such an important story to the big screen.
Michael Frank had the chance to chat with Amelia Moses about her latest film Bleed with Me, its beginnings, the disturbing imagery and more!
Stephanie Archer had the opportunity to participate in a round table with director Jon Stevenson and cast members Wil Wheaton and Brian Landis Folkins about Rent-A-Pal.
Blake Collier takes a deeper look at the three Estus W Pirkle-Ron Ormond films that bookended the 1970s.
While it may not land as smoothly as it hopes for, what #Alive offers here is still refreshing, warranting the attention of its audience.
Stephanie Archer had the opportunity to speak with the Francesco Giannini about his film The Hall.
Rent-A-Pal succeeds in recreating its 90s aesthetic as it examines the videotape dating culture of the 1990s in this retro horror film.
Heightened by its mirroring of current events, The Hall is an incredibly exhilarating ride you won’t want to get off of.
Entwined, from director Minos Nikolakakis, succeeds in its story, a slow burn that is hypnotizing, peeking the interest of its viewers.
Far from the dumpster fire many feared, The New Mutants is a much more mundane disappointment: a near miss.
Wilson Kwong spoke with director Alex Prieur-Grenier about his film 2011, premiering at Fantasia Film Festival 2020.
Overall, Blood Vessel isn’t going to change horror forever, but it is entertaining, especially the first hour.
Train to Busan Presents: Peninsula does not reach the heights of its predecessor, but it’s still a satisfying summer diversion.