horror
We spoke with Sheila Vand about starring in Dave Franco’s directorial debut The Rental, actors turning directors, and lots more!
A forgettable military and horror thriller, Tom Paton’s Black Ops has all of the best intentions but fails to hit most of them.
Impetigore is a film of slowly unfolding horror, with every aspect designed to fill you with dread and sorrow.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.
Game of Death is a fun and gore-filled examination of horror and video game conventions that works well in its short runtime.
Despite a satisfying ending, Amulet’s messy timeline and uneven pacing prevent it from reaching the greater heights that could have been.
The Beach House has all the makings of a home run, but the execution leaves viewers checking their watches.
Alex Lines spoke for director Natalie Erika James about her directorial debut Relic, the process of co-writing the script and influences.
In a deeper look, Relic is a film that will leave you speechless, enamored with the visual showcase you have just witnessed.
Relic, through a deliciously brilliant depiction, personifies and tackles the social and familial issues surrounding dementia.
If you are in the mood for a light, funny, horror-comedy – heavy on the comedy – Useless Humans is something special.
Ju-On: Origins may not reinvent the formula of the franchise, it still has enough stuff to give the audience a terrifying nightmare.
1979’s Apocalypse Now has achieved an almost cult-like status, and no war film has captured the depravity of war the same way since.
Every moment of Homewrecker, crazy or scary or just plain weird, is played with a lightness that makes it a joy to watch.
An over the top, aimless blunder of foolery, Dreamland is remarkably disastrous yet instantly forgetful.