horror
It is a fun zom-com, but if you aren’t desperately seeking out for a lighthearted zombie film, then it’s maybe not the first film you would come across.
The film making is far from flawless, but what Ganja & Hess really projects is the sense that it came from a person who wanted the work to reflect himself.
Black Water: Abyss starts strong in its horror, but too quickly, the film devolves into a story of drama with a background of splashing water.
Blake I. Collier takes a deep dive into the ways films explore dementia and turn it into a source of horror with varied results.
We spoke with Jeremy Allen White about his role on the long-running series, Shameless, and in Dave Franco’s directorial debut: The Rental.
We attend a roundtable with director Natalie Erika James, cast members Robyn Nevin, Emily Mortimer, and Bella Heathcote to dive deeper into Relic.
We spoke with Sheila Vand about starring in Dave Franco’s directorial debut The Rental, actors turning directors, and lots more!
A forgettable military and horror thriller, Tom Paton’s Black Ops has all of the best intentions but fails to hit most of them.
Impetigore is a film of slowly unfolding horror, with every aspect designed to fill you with dread and sorrow.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.
Game of Death is a fun and gore-filled examination of horror and video game conventions that works well in its short runtime.
Despite a satisfying ending, Amulet’s messy timeline and uneven pacing prevent it from reaching the greater heights that could have been.
The Beach House has all the makings of a home run, but the execution leaves viewers checking their watches.
Alex Lines spoke for director Natalie Erika James about her directorial debut Relic, the process of co-writing the script and influences.
In a deeper look, Relic is a film that will leave you speechless, enamored with the visual showcase you have just witnessed.