horror
Summer of ’84 may have been passed over as a cheap Stranger Things knockoff, but there is surprising depth to it if you look beneath the surface.
The Toybox rises above being completely predictable with some interesting cinematic choices, and the decision to be unapologetically gruesome.
Castle Rock ended on par with a season filled with mysteries, concluding a story filled with intriguing Stephen King lore.
Mandy continues to establish Cosmatos’ many predilections as a visual stylist and storyteller, albeit in a significantly more successful package.
Frank H. Wu’s mother, an immigrant from China via Taiwan, used The Shining to teach about right and wrong to her young son.
Lizzie may be a fictional tale of a real-life crime that we will never fully know the truth of, but it sure is an intriguing and especially a well-designed one.
The latest episode of Castle Rock, “Henry Deaver”, dives further into the mystery behind the character, providing us with an alternative, intriguing world.
With adequate locations and a potentially interesting atmosphere, The Nun creates a darkly lit ordeal that is one silly “nun-sensical” roller coaster ride of jump scares.
While feeling a bit like a preparatory hour designed to give us a push into the final climax, there’s still some good ol’ terror to be had in the latest Castle Rock episode.
If what you’re after is a mainstream horror film with scares that come thick and fast, save your money and skip Slender Man.
We spoke with writer and director Boaz Yakin about his upcoming horror film Boarding School, whose story transcends that of a traditional horror.
Boarding School follows in suit with the continued reinvigoration of the horror genre, breaking away from the cliché and introducing new scares.
We break down the career of Winona Ryder, showcasing her talent for the horror genre and more over her 30+ years in front of the camera.
The Little Stranger is a demanding but absorbing thriller – it will not spoon feed you scares, and it’s all the better for it.
Instead of living up to its Godard and Whedon-esque aspirations, Blood Fest shoots itself in the foot, delivering cliche after cliche in a formulaic, hopelessly grating package.