independent film
Though known for her work on documentaries, Marsh has made a strong narrative feature debut with this film.
D(e)ad explores the dynamics of grief and family through a darkly comedic lens, delivering a funny yet emotional experience.
Read on for my thoughts on the latest films from three of my favorite contemporary directors: Christian Petzold, Kelly Reichardt, and Hong Sang-soo.
There’s usually no shortage of female filmmakers at the Toronto International Film Festival, and with the festival’s 2025 edition, that continues to be true.
While Driver’s Ed and The Ugly are vastly different films, both provide thoughtful social commentary on their respective issues.
Lloyd Lee Choi brings his feature film debut to Toronto, in what seems like a perfect home for a story about the immigrant experience.
Michael Garcia’s debut feature focuses on the grief of struggling musicians and an A&R rep trying to make a comeback.
In Jacque Rabie’s debut feature Orchid, we witness what can happen when that infatuation is taken too far, and when a third person is added to the mix.
Film Inquiry spoke with Universal star and producer Kelley Mack!
Today, we’re looking at two shorts: One about a filmmaker preparing for the progression of his diagnosis, the other about a drummer struggling creatively.
For this installment of Slamdance coverage, we’re looking at an inspiring documentary and a gripping fictional drama based on a true story.
Today, we’re looking at two documentaries: One focusing on social justice in Omaha, and another exploring a mysterious hole in northern California.
Heart Eyes is an ode to holiday horror-slasher films of the past, coming into a space that has been left vacant for a while and solidly planting their flag.
A Knight’s War blends classic fantasy motifs and adding a dark, unique edge that’s visually gripping.
Though these two films, “Didn’t Die” and “Rains Over Babel,” are very different stories, they are tied together by ideas of mortality.