interview
We were able to talk with director and actor Kevin Alejandro about his short film Bedtime Story, running his own production company, balancing it with his acting work and what the future holds for him.
Kristy Strouse was able to speak with co-directors Taki Oldham & Robert Kenner of Netflix’s The Confession Killer about how they maneuvered this challenging and complex story.
Film Inquiry spoke with director Flavio Alves about The Garden Left Behind, the sociopolitical implications of the story, the significance of his creative and casting decisions, and the universality of the narrative.
Jim Dixon spoke with filmmaker duo Jacob Akira Okada and Carylanna Taylor, Ph.D., about their romantic science fiction film, ANYA.
We were able to interview Hallie McKeig, the Founder Of Creative Soul Management.
We spoke with director Tom Cullen about his film Pink Wall, which is a worthy addition to the relationship drama canon that deserves not to be overlooked at the box office.
Alex Lines spoke with director Ken Loach about his latest film Sorry We Missed You, about what drove him to make this film and finding moments of levity in his work.
Ahead of Standing Up for Sunny’s limited theatrical release, Alex Lines spoke with RJ Mitte about his starring role in the film, his relationship with stand-up comedy, and what he’s currently gaming.
Michael Frank spoke with writer and director Adam Egypt Mortimer about the mental health, childhood and inspiration for his film Daniel Isn’t Real.
Wilson Kwong spoke with Executive Director Deanna Wong of the Toronto Reel Asian Film Festival, where Asian films from all around the world are showcased.
Michael Frank spoke with actor Glynn Turman about his legendary career and his upcoming projects.
In this report from Austin Film Festival 2019 Kristy Strouse covers two interesting, female driven shorts, notes from a writer’s panel with Liz Hannah, and a review of The Bygone.
We had the chance to speak with Australian producer Lauren Elliott, whose ability to enchant audiences – with both shock and surprise – has made her a major force to be reckoned with.
For the most part, the representation of slam poetry in cinema has been that of…