Kevin Costner
Waterworld is not perfect, it’s not as well-crafted and clever as the Mad Max franchise it’s clearly based on, but it is a great time.
Let Him Go is both a period piece — though set in the 1950s, not the Old West — and also a tale pregnant with grief.
A notorious box office flop, revisiting Waterworld today reveals a sturdy but middling treasure, as astonishing as it is underwhelming.
If you look past The Highwaymen’s initial slow burn, you’ll at least find solace in its performances and devestating ending.
The Highwaymen is a well-intentioned Western drama that takes a new perspective on the Bonnie & Clyde mythology, but it needs another run at tightening the runtime.
In The Highwaymen, a pair of police officers come out of retirement to catch the infamous outlaws Bonnie & Clyde.
Video Dispatches is a regular digest of recent home video releases, usually from boutique and restorative labels. Here, we discuss Marwencol, Waterworld, and a trio of Iranian films.
Molly’s Game is a prime showcase for one of Hollywood’s most versatile actresses, but the film as a whole doesn’t live up to Chastain’s fiery performance.
