LGBTQ+
After last week’s tremendous first half of the split premiere, RuPaul’s Drag Race season 14’s second episode is a bit of a snoozer in comparison.
It’s a shiny new year, and with it comes a shiny new season of VH1’s RuPaul’s Drag Race with another COVID-safe split premiere.
Queerly Ever After dives into 2006’s Long-Term Relationship, where two men enter a relationship despite their contrasting political views.
Hidden Kisses is a well-acted and well-crafted movie, but it still feels a bit overdramatic given the year of its release.
In this week’s Queerly Ever After, we take a look at 2011’s What Happens Next, a romantic comedy where the romance outpaces the comedy.
In this Queerly Ever After we visit the 2013, Pit Stop: a simple, slice-of-life story about two men coming together amidst the backdrop of their small town.
Everybody’s Talking About Jamie is one of the better film adaptations of a stage musical.
Queerly Ever After #60 focuses on Baldvin Zophoníasson’s Icelandic film Jitters, a teen drama filled with first crushes and tragic events.
With extremely long scenes, flat lighting, and a meandering story all come together to create this dull, Best Day Ever is a tired movie.
J.C. Calciano’s Is It Just Me? is a gay romantic-comedy of chat rooms, miscommunication and false identity.
For this week’s entry of Queerly Ever After, we take a look at 2002 French TV-movie You’ll Get Over It.
For this Queerly Ever After, we take a look at the 2012 film Morgan.
In Pray Away, viewers are led into the minds of those who founded, lead, and propagated one of the biggest conversion therapy developers.
In the documentary, The Sound of Identity, Lucia Lucas is the first transgender woman to headline a major opera production
Queerly Ever After #54 focuses on 1998’s Like It Is, a clunky-yet-endearing romantic drama set in Blackpool, England.