The objective of Luca Guadagnino’s experimental short The Staggering Girl is up for debate, which won’t be a problem for long-time admirers of the auteur’s style or share the same inherent love for high fashion.
As a work of storytelling, Guadagnino’s reimagining of the canonical giallo is a boring mess with higher thematic aspirations than it’s able to realise.
In Guadagnino’s Suspiria, a darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Director Luca Guadagnino’s three previous films, including critical favourite Call Me By Your Name, couldn’t seem any more different from the outside. All three are linked by the theme of desire- but does that reverberate into a thematically coherent trilogy?