Martin Freeman

BLACK BLACK PANTHER: WAKANDA FOREVER: A Messy, But Emotional Tribute to The King
BLACK PANTHER: WAKANDA FOREVER Trailer

The nation of Wakanda is pitted against intervening world powers as they mourn the loss of their king T’Challa.

A CHRISTMAS CAROL: A New and Visually Striking Adaptation
A CHRISTMAS CAROL: A New and Visually Striking Adaptation

Director Jacqui Morris tries to escape the staleness of adaptating of A Christmas Carol by presenting the story as a modern dance dreamscape.

ODE TO JOY: Guaranteed To Incite Strong (Negative) Emotions
ODE TO JOY: Guaranteed To Incite Strong (Negative) Emotions

Ode to Joy doesn’t really work as either an efficient comedy or drama (or even a bit of both), with the familiar beats and tropes lacking in any real thought.

GHOST STORIES: Is 'Good Enough' Good Enough?
GHOST STORIES: Is ‘Good Enough’ Good Enough?

Andy Nyman and Jeremy Dyson’s adaptation of their hit stage play Ghost Stories is a serviceable British horror – but with so many recent gems in the genre, is being “serviceable” enough to justify its existence?

THE HOBBIT: THE BATTLE OF THE FIVE ARMIES: A (Mostly) Satisfactory Conclusion To The Trilogy

Peter Jackson’s first Lord of the Rings trilogy is potentially one of the finest trilogies ever made. Each film in the series, from Fellowship of the Ring to Return of the King, are all solid masterpieces, containing beautiful cinematography, fine character acting, and iconic soundtracks by Howard Shore. The Hobbit series, on the other hand, is much more inconsistent.